More books for 2019 and more books to match my new manicure! Love when that happens.
Thanks to HMH Books for the free copies in exchange for my honest reviews.
LAST WOMAN STANDING – Amy Gentry (Releasing January 15th, 2019)
THE STRANGER DIARIES – Elly Griffiths (Releasing March 5th, 2019)
Make sure to check back for the #allthebookreviews thoughts on these 🙂
Here are the synopses:
LAST WOMAN STANDING – Amy Gentry
From the author of Good as Gone (“So gripping you might want to start to question your own family’s past”—Entertainment Weekly) comes a brilliant and timely thriller: Strangers on a Train by way of Thelma and Louise.
Dana Diaz is an aspiring stand‑up comedian—a woman in a man’s world. When she meets a tough computer programmer named Amanda Dorn, the two bond over their struggles in boys’ club professions. Dana confides that she’s recently been harassed and assaulted while in L.A., and Amanda comes up with a plan: they should go after each other’s assailants, Strangers on a Train–style. But Dana finds that revenge, however sweet, draws her into a more co
Complicated series of betrayals. Soon her distrust turns to paranoia, encompassing strangers, friends—and even herself. At what cost will she get her vengeance? Who will end up getting hurt? And when it’s all over, will there be anyone left to trust?
THE STRANGER DIARIES – Elly Griffiths
From the author of the beloved Ruth Galloway series, a modern gothic mystery for fans of Magpie Murders and The Lake House.
Clare Cassidy is no stranger to murder. A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature.
To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn’t hers, left on the page of an old diary: “Hallo, Clare. You don’t know me.”
Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?